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Uncle Tupelo-1991-Still Fell Gone-[2003 Reissue-Remaster]-[EAC-FLAC]

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Uncle Tupelo - 1990 - Still Feel Gone [2003 Reissue - Remaster]  [EAC - FLAC]



Ripped with EAC.  Encoded with dBpoweramp, FLAC 1.2.1, compression level 8



No cover art is included (which is excellent).   If you want the CD booklet, buy the CD.





The beginning of alt country - halleluiah.





01. Gun       3:42

02. Looking For A Way Out      3:40

03. Fall Down Easy      3:08

04. Nothing      2:16

05. Still Be Around      2:44

06. Watch Me Fall      2:12

07. Punch Drunk      2:43

08. Postcard      3:38

09. D. Boon      2:32

10. True To Life      2:22

11. Cold Shoulder      3:15

12. Discarded      2:42

13. If That's Alright      3:12

14. Sauget Wind (A Side)      3:31

15. I Wanna Destroy You (B Side)      2:30

16. Watch Me Fall (Demo)      2:07

17. Looking For A Way Out (Demo - Fast Version)      2:04

18. If That's Alright (Demo - Fast Acoustic Version)      3:04





Review      by Mark Deming

Uncle Tupelo clearly defined their nervy Gram Parsons-meets-the Minutemen sound on their debut album, 1990's No
Depression, and their 1991 follow-up, Still Feel Gone, found them branching out into new variations of their previously
established themes. While No Depression was dominated by breakneck tempos with the occasional slow, contemplative number
thrown in for variety, Still Feel Gone found Uncle Tupelo taking a closer look at the middle ground, as evidenced by the
high-strung acoustic guitars of "Still Be Around," the measured but powerful Crazy Horse stomp of
"Looking for a Way Out," the lonesome shuffle of "True to Life," and the stark atmospherics of
"If That's Alright" (the latter of which in retrospect sounds like the first dawning of the ideas Jeff Tweedy
would explore with Wilco). But plenty of what made No Depression so impressive is still on view here, including the
brutal stutter-step of "Gun," the simple but powerful declaration of "Watch Me Fall," and the
heartfelt tribute to an obvious influence, "D. Boon." And if anything, the band sounds even more powerful this
time out, and the broader picture of their abilities only confirms how strong a combination Jay Farrar, Jeff Tweedy, and
Mike Heidorn really were. If Still Feel Gone isn't as immediately impressive as No Depression, a few plays confirms it's
still the work of a gifted band at full strength, and this reissue gives the album the special treatment it deserves.







Biography	by Jason Ankeny

With the release of their 1990 debut LP, No Depression, the Belleville, IL, trio Uncle Tupelo launched more than simply
their own career -- by fusing the simplicity and honesty of country music with the bracing fury of punk, they
kick-started a revolution which reverberated throughout the American underground. Thanks to a successful online site and
subsequent fanzine which adopted the album's name, the tag "No Depression" became a catch-all for the
like-minded artists who, along with Tupelo, signalled alternative rock's return to its country roots -- at much the same
time, ironically enough, that Nashville was itself embracing the slick gloss associated with mainstream rock and pop.



Uncle Tupelo was led by singers/songwriters Jay Farrar and Jeff Tweedy, lifelong friends born in the same Belleville
hospital in 1967. During high school, the pair formed a punk cover band called the Primitives along with drummer Mike
Heidorn and Farrar's older brother Wade. After Wade enlisted in the Army, the Primitives broke up, but in 1987, the
remaining trio reunited, changed their name to Uncle Tupelo, and began incorporating elements of country into their
music as well as writing original material. Touring constantly throughout the Midwest, the bandmembers eventually quit
school as their music became more and more successful, and in 1989 they signed a contract with the small independent
label Rockville.



Taking its name from the A.P. Carter gospel song covered therein, No Depression reflected the band's disparate
influences, ranging from everyone from Hank Williams to bluesman Leadbelly through to the famed post-punk trio
Hüsker Dü. The most rock-centric of Uncle Tupelo's releases, its songs were meditations on small-town,
small-time life, candid snapshots of days spent working thankless jobs and nights spent in an alcoholic fog. After the
release of "I Got Drunk," a brilliant single backed with a cover of the Flying Burrito Brothers' "Sin
City," 1991's Still Feel Gone struck a finer balance between their rock and country aims. While Farrar's
contributions -- sung in his reedy, Neil Young-like voice -- were often informed by a rootsy, scorched-earth mentality,
Tweedy's, with their grittier vocals, delved deeper into the trio's punk origins, as typified by the song "D.
Boon," a tribute to the late frontman of the legendary Minutemen.



A year later, Uncle Tupelo released March 16-20, 1992, an acoustic record which saw the group plunging fully into
country and folk. Recorded live in the studio with producer Peter Buck (of the band R.E.M.), the album drew heavily on
painstakingly authentic covers of standards like "Moonshiner" and "Satan, Your Kingdom Must Come
Down" along with a fitting rendition of the Louvin Brothers' "The Great Atomic Power" and Farrar's and
Tweedy's originals, which maintained the record's spare, haunting ambience. Shortly after its release, Heidorn left the
group to devote time to his family and was replaced by drummer Ken Coomer, formerly of the group Clockhammer.
Multi-instrumentalists Max Johnston and John Stirratt also signed on as part-time members.



In 1992, Uncle Tupelo signed to major label Sire/Reprise and in 1993 issued the LP Anodyne. Widely regarded as the
group's definitive statement, it was a true country-rock hybrid which accented the power of both musical forms; the
album even featured a cover of the song "Give Back the Key to My Heart" sung with its writer, roots rock
pioneer Doug Sahm. After a tour in support of the album, however, the long-standing relationship between Farrar and
Tweedy dissolved in bitter acrimony, and Uncle Tupelo disbanded; shortly thereafter, Tweedy recruited Coomer, Johnston,
and Stirratt to form the band Wilco, while Farrar reunited with Heidorn in Son Volt.

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